Skram Furniture: Modern Designs of Old Fashioned Quality

Amazing wood grain designs and impeccably clean lines  — these are amid the most hit features of pieces by Skram Furniture. Homedit encountered the company's offerings at ICFF 2022 and decided we needed to know more about the products as well every bit the designer and craftspeople behind the brand.

Skram Furniture Company was founded in 2001 and is led by designer A. Jacob Marks, who was recently named one of the top fifty immature designers of the Americas (Young Designers: Americas, Daab). Marks' designs for accept "distinctive austerity and warmth and a timeless quality accentuated by the use of natural materials like timber, leather, stone, and metallic," explains the company's website.

Homedit asked Marks nearly his designs, inspiration and background:

The Altai easy chair upholstered in napa leather, with the Altai cocktail table. View in gallery
The Altai easy chair upholstered in napa leather, with the Altai cocktail tabular array.

How did you get your start in design?

I'm self-taught. That procedure began after college, when I lived in San Francisco. In college I studied history and after graduation I was on a path to pursue graduate work in that field.  Just information technology was during that time that I encountered the world of fine furniture. I was drawn to information technology immediately, for the same reasons that I was drawn to historical research and writing. Both require a careful balancing of precision and inventiveness. Both require discipline, restraint, and devotion to detail. Just designing and building furniture was more than gratifying than writing, so I went that road.

Marks and chair pure design View in gallery

What drew you to set shop to brand modern furniture in North Carolina — long associated with traditional furnishings?

North Carolina offers proximity to our primary markets in the Northeast and easy transport of our goods to Europe and the Middle East. Information technology also has a bully network of suppliers related to the furniture industry. One of our goals every bit a company is to present a model of sustainable manufacturing for a new generation of craft-based industry. This model is organized around a really wide estimation of sustainability. In this view, sustainability encompasses ecology responsibility (Skram installed a solar array atop its workshop in 2015) but too blueprint integrity, community engagement, and employee well-being.

And then, here in North Carolina, confronting a properties of massive task losses in manufacturing–particularly the furniture industry–Skram offers a dissimilarity to the existing industry in process and in product and grows steadily year after year, focused on creating heirloom quality products with sustainable practices and rejecting the idea of built-in obsolescence.

Limited edition Piedmont chest in pepperwood burl with mahogany detailing. View in gallery
Limited edition Piedmont chest in pepperwood burl with mahogany detailing.

From where do you draw inspiration for your designs?  Practice your ideas come up commencement or are they more often the product of a specific commission or claiming?

For me, design comes starting time and materials (burls, timbers, leather, metal, stone. . .) exist to accentuate and adorn. I believe that design should stand up on its own without reliance on a item material, so while we use all manner of precious and lovely materials, every production we make is prototyped in black so that there is minimal distraction from the form and role.

In terms of inspiration, I describe from relationships I meet in the world around me.  These can exist natural or homo-made.

The wood y'all utilise, particularly for pieces like the Piedmont collection sideboard and chests, is absolutely gorgeous. Where do your source your woods?

Give thanks you. In terms of wood, all of Skram'due south solid timber options are sourced inside 500 miles of our facility.  These are Appalachian hardwoods like Walnut, Cherry, Rift Sawn White Oak, and Ash  Just for reasons of structural requirements and aesthetics more than toll, part of our production range is offered in hardwood veneers. These may be domestic in origin or exotic, like the Pepperwood Bulge that we presented on our Piedmont Collection casegoods at the production launch this Bound in NYC.  This fabric comes from Chile.

Skram piedmont chest View in gallery
Limited edition Piedmont sideboard made of pepperwood burl View in gallery
Express edition Piedmont sideboard made of pepperwood bulge
Limited edition Piedmont side table. View in gallery
Limited edition Piedmont side table.
Drop series ant b side table in ebonized rift white oak. View in gallery
Drop series ant b side table in ebonized rift white oak.
Fade lounger in ebonized European beech View in gallery
Fade lounger in ebonized European beech
skram fade lounger View in gallery

The concept of mirror image is very pop right now in the engineered blueprint of many textiles…how did you come upwards with the idea to endeavor it in woods?

I tin't take credit for bookmatching, which is the term in furniture making for this particular organisation of the private leaves of veneer, in sequence, equally we present them on the Piedmont casegoods. All of our veneer piece of work, not just the Piedmont array is done in this style. Bookmatching is a long-established handling, dating back centuries.

Do you lot have a favorite medium to piece of work with when you lot are designing?

Not actually, but I do similar to explore a broad range of materials. I'1000 drawn to natural materials like forest, metal, leather, cork, and stone.  These could be intense and graphic, like the Pepperwood burl noted higher up, or they can be understated and neutral.  In any case, the idea is that the cloth should be the best possible choice in structural terms and also should reinforce–visually–the overall blueprint intent.

Lineground armchair in cherry. View in gallery
Lineground armchair in red.
Piedmont #1 stool in natural rift white oak with a leather sling seat. View in gallery
Piedmont #ane stool in natural rift white oak with a leather sling seat.
Piedmont chair in natural rift white oak timber with matte black metal. View in gallery
Piedmont chair in natural rift white oak timber with matte black metal.
Arak chandelier composed of hand-made translucent shades, aluminum arms and a bronze hub. View in gallery
Arak chandelier composed of paw-fabricated translucent shades, aluminum arms and a statuary hub.
Arak pendants above the Piedmont sideboard. View in gallery
Arak pendants above the Piedmont sideboard.
Tigris bed in white oak. View in gallery
Tigris bed in white oak.
Tigris bed in European beech. View in gallery
Tigris bed in European beech.
Saddlestools in three heights, upholstered in fully-grain leather. View in gallery
Saddlestools in 3 heights, upholstered in fully-grain leather.
v5 rocker in walnut View in gallery
v5 rocker in walnut
Wishbone drawer desk in English brown oak. View in gallery
Wishbone drawer desk-bound in English language brown oak.
skram altai shelving View in gallery
Corkdrop is a clover formation in solid cord with a walnut timber stripe. View in gallery
Corkdrop is a clover formation in solid string with a walnut timber stripe.
Wooddrop is another clover formation, this time in black and white painted wood. View in gallery
Wooddrop is another clover formation, this time in black and white painted woods.

While these pieces may be clean or minimal, they have enough of interest thanks to beautiful woods grain and unexpected design features, such as the legs of the Altai series or the elegant curves of Skram's wooden chairs and zen-like Tigris bed.

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Source: https://www.homedit.com/function-drive-designs-for-skram-furniture/

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